This is the third in a planned series of videos that I’m producing. They are limited to 60 seconds selected from a longer section of music. It’s simply an effort to “Stop Thinking and to Start Doing” and have some fun in the process.
This month the missus and I took a multi-day trip to the mountains of North Carolina visiting Blowing Rock and the summit of Grandfather Mountain. Having been raised near the Appalachians, being able to visit some of the higher points in this mountain chain was akin to a spiritual experience for me. We were fortunate that the weather was as near to perfect as could be with highs in the upper 70s accompanied by clear skies and low humidity.
I’ve included several photographs from our trip that in no way due the views justice. Frankly, the only way to truly appreciate the grandeur and the beauty of these mountains is to actually be there.
‘Til next time.
This past Friday and Saturday, I attended Moogfest 2016, an event that I’ve wanted to attend for several years.
Personal highlights were seeing and playing the Moog Minimoog Model D reissue, checking out the gear in the Moog Pop Up Shop, attending a talk featuring Tatsuya Takahashi (designer of the Korg Minilogue), getting to hear famed producer Daniel Lanois speak and play, and walking around downtown Durham, NC and the American Tobacco Campus. Downtown Durham is interesting in that it has such a distinct identity, much like downtown Roanoke, VA.
One of the unfortunate lowpoints was feeling rather underwhelmed after playing the Minimoog Model D synthesizer. I’m thankful for the opportunity to play the reissue of this iconic instrument and hope Moog’s effort to bring it back to production is successful. But I’m glad modern synths have advanced far beyond its 1970s era capabilities which for the most part it retains. At its heart it’s an instrument begging to be played. Howvever, at $3500 it’s a nostalgia piece. Nice to have, but not necessary.
Another downer was that there seemed to be few sessions for musicians and their needs and interests. Most of the talks I attended were geared more towards the engineer types which is fine. Without engineers we wouldn’t have synthesizers. Nevertheless, I’d like to see the addition of creative music making focused sessions in future Moogfests. After all, without musicians engineers wouldn’t have a market to which to sell their creations.
Overall, despite those relatively minor points, it was a very interesting and informative event which one should experience at least once. I’m hoping that since Moog invited a Korg designer to speak at this year’s conference that it bodes well for the possibility of Dave Smith and Tom Oberheim coming to speak at a future Moogfest. If that happens, I’ll definitely be attending again.
‘Til next time.
Prince died today, aged 57. He was a major musical influence to me as I’m sure he was to others.
R.I.P. Mr. Nelson.
“For non-conformity the world whips you with its displeasure.” – Ralph Waldo Emerson
It’s interesting that when you don’t neatly fit into other’s idea of who you should be, what you should look like, how you should think, they often will become irritated, if not angry at you. Our culture likes to celebrate marching to the beat of a different drum. However, one discovers quickly that if you try to do just that, you are quickly put in your place. And if you refuse to conform, then you are criticized, belittled, ridiculed, condemned, ostracized, and on and on.
And when what was once the anti-establishment becomes the establishment, does it embrace thoughts and ideas contrary to its beliefs? Of course not. It’s interest is in protecting its turf. Ironically, it becomes the very thing it once fought against.
In theory, individuality is celebrated. In practice, conformity is embraced.
In theory, diversity of thought is revered. In practice uniformity of belief is required.
And so it will be until the end of time.